In progress. The next major work.

A Fourth World
Is Still Possible

Jon Hassell's method, carried forward by the player who recorded and co-produced his final two albums.

Thirty years inside this music

I have been listening to Jon Hassell since high school. No musician has shaped me more. The Fourth World idea, music that sounds like a place that does not exist, has been the center of my listening life since before I could name it.

In the 2010s that influence became a working life. I joined Jon's band and stayed for the decade, on stage with him through his last concert in London in 2015, and in the studio for the two final albums, Listening to Pictures and Seeing Through Sound. I recorded and co-produced both. That music was built at close range, over years, in rooms Jon and I shared.

Jon is gone. The method is not. This record is my answer to the only question worth asking after a loss like that: what happens to the music now? It is heavily shaped by my relationship with him, and it is made with the conviction the title states. A fourth world is still possible.

The shape of the record

Chapman Stick takes the lead voice, processed and harmonized where the trumpet once stood. Hand percussion and synthesizer beds hold the ground.

It moves at the pace the method demands: improvisations gathered, processed, and composed until the music sounds like a place rather than a performance. Everything is going into this one.

Lead voice
Chapman Stick, processed and harmonized
Ground
Hand percussion, synthesizer beds
Status
In the studio now
Cover study: Roman ruins with standing columns, black and white
Cover study.

Visions

Moving images from the studio and the desert. Sound on when you open them.

Follow it

The record is in the studio now. Labels and writers who want to hear it as it takes shape are welcome to get in touch.